Esbjorn Svensson Trio - Strange Place For Snow (2002)
1. The Message
2. Serenade For The Renegade
3. Strange Place For Snow
4. Behind The Yashmak
5. Bound For The Beauty Of The South
6. Years Of Yearning
7. When God Created The Coffeebreak
8. Spunky Sprawl
9. Carcrash
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Esbjorn Svensson (piano, electronics); Dan Berglund (bass); Magnus Ostrom (drums, percussion)
Esbjörn Svensson Trio, 1990 yılında kurulan İsveçli caz piyano üçlüsüdür, piyanoda Esbjörn Svenssonö kontrbasda Dan Berglund ve davulda Magnus Öström’den oluşur. 1999 yılında çıkardıkları «From Gagarin’s Point of View» adlı albümleri gruba uluslararası başarı getirmiştir. Bu albüm sayesinde İskandinavya dışına açılmayı başaran EST, bu
albümle aynı zamanda ilk defa yabancı şirketten bir materyal yayınlamış oldu. Esbjörn Svensson 14 Haziran 2008’de dalış yapmak için gittiği Stockholm yakınlarında talihsiz bir kaza sonucu hayatını kaybetmiştir.
Diskografi:
* When Everyone Has Gone (1993) Dragon
* E.S.T. Live ‘95 (1995, İsveç’re Mr. & Mrs. Handkerchief adı altında yayınlanmıştır) ACT Music + Vision
* EST plays Monk (1996) Superstudio GUL
* Winter in Venice (1997) Superstudio GUL
* From Gagarin’s Point of View (1999) Superstudio GUL
* Good Morning Susie Soho (2000) Superstudio GUL
* Somewhere Else Before (2001)
* Strange Place for Snow (2002) Superstudio GUL
* Seven Days of Falling (2003) Superstudio GUL
* Live in Stockholm (2003) DVD
* Viaticum (2005) Spamboolimbo
* Tuesday Wonderland (2006)
* Live in Hamburg (2007, 22 Kasım 2006’da kaydedilmiştir.)
Toeing a surprisingly fine line between acoustic-jazz accessibility and electronic-music ingenuity, E.S.T. (Esbjörn Svensson Trio) is a forward-thinking Swedish trio that adds subtle, dark ambient texture (and then some) to the traditional piano-trio format. As with the group's first Columbia release, Somewhere Else Before, there is a nice mix of well-constructed tunes with catchy, often-lilting melodies. The band is at its best when playing slow, contemplative ballads ("Serenade for the Renegade" is a highlight) that have the same kind of romantic leanings as pianist Bill Evans, yet the three occasionally pick up momentum on tunes like "Behind the Yashmak," without ever abandoning the song's lyricism. The trio also does other things to keep it fresh: they bring in some simple folk music balladry, add some classical music complexity, and even touch on the creeping influence of electro rock à la Radiohead. Strange Place for Snow should add a lot of new American voices to the deafening roar that surrounds this band in Europe. --Tad Hendrickson.
